The two artworks I've chosen from the exhibition to write about are Tina Maneca's "Comfort Is an Action II" and Jin Jung's "Something Happened Here". These artworks resonated with me personally for their own separate reasons. As an immigrant who left home too soon, the themes of nostalgia and homely familiarity that connected the exhibitions artworks felt especially poignant.
Tina Maneca's "Comfort Is an Action II" was put together with the goal of creating the facsimile of a childhood home that has been perverted by the act of substance abuse. At first glance, the installation appears as a newborn's bedroom. the walls are decorated with old books and keepsakes, and stuffed toys are arranged near a cradle draped in curtains. However, upon taking a closer look, the darker message of the art piece is revealed. The toys' eyes are malformed, and the chemical structures for the body's 'feel-good' hormones are stitched onto their bellies. While I never had any experience with addictive substances, the installation's intended effect was not lost on me. Once I noticed the hidden aspects of the piece, the feeling of nostalgia was suddenly laced with something dangerous underneath.
Jin Jung's "Something Happened Here" affected me in a much more direct way. Seeing a map and timeline of this new state I found myself in and how it has treated immigrants in the past was clarifying in a way I cannot describe. It felt as though I was looking at a battle plan, figuring out which places people like me were safe in and which weren't. I saw my future in those blue discs on the wall. I knew then I wanted to be part of the reason less immigrants get hurt in this place.
In conclusion, the Home Here Catalogue touched my heart in a way I wasn't expecting. I've had very little experience with art installations in the Philippines, so seeing this exhibition truly opened my eyes to the possibilities of art. I hope to one day create something that belongs in an exhibition like this.
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