Tuesday, February 24, 2026

Lucas Adriano - Home Here Gallery Exhibition Short Essay

 Exhibition Review


    The two artworks I've chosen from the exhibition to write about are Tina Maneca's "Comfort Is an Action II" and Jin Jung's "Something Happened Here". These artworks resonated with me personally for their own separate reasons. As an immigrant who left home too soon, the themes of nostalgia and homely familiarity that connected the exhibitions artworks felt especially poignant.

    Tina Maneca's "Comfort Is an Action II" was put together with the goal of creating the facsimile of a childhood home that has been perverted by the act of substance abuse. At first glance, the installation appears as a newborn's bedroom. the walls are decorated with old books and keepsakes, and stuffed toys are arranged near a cradle draped in curtains. However, upon taking a closer look, the darker message of the art piece is revealed. The toys' eyes are malformed, and the chemical structures for the body's 'feel-good' hormones are stitched onto their bellies. While I never had any experience with addictive substances, the installation's intended effect was not lost on me. Once I noticed the hidden aspects of the piece, the feeling of nostalgia was suddenly laced with something dangerous underneath.

    Jin Jung's "Something Happened Here" affected me in a much more direct way. Seeing a map and timeline of this new state I found myself in and how it has treated immigrants in the past was clarifying in a way I cannot describe. It felt as though I was looking at a battle plan, figuring out which places people like me were safe in and which weren't. I saw my future in those blue discs on the wall. I knew then I wanted to be part of the reason less immigrants get hurt in this place.

    In conclusion, the Home Here Catalogue touched my heart in a way I wasn't expecting. I've had very little experience with art installations in the Philippines, so seeing this exhibition truly opened my eyes to the possibilities of art. I hope to one day create something that belongs in an exhibition like this.

Questions

Why have you chosen these works to review?
    -I chose those two works specifically because I felt a connection to them that I did not with the other pieces. Both my identity as an immigrant and my homesickness led me to Maneca and Jung's installations.

How might they be activist or interventions?
    -Both installations are activist against their own separate causes. Jin Jung's installation seeks to bring awareness to the history of how immigrants are treated in New Jersey, While Tina Maneca's installation confronts its audience with the dangers of addiction. From An Introduction to Activist Art, "One of the most important goals of activist art is to encourage social and political change."

How do they connect to your own artwork (if you make artwork) or your life?
    -According to The Art of Activism, "Politics is about people's perceptions of the truth, their feelings about facts, and their visceral experiences of the world." My experience coming to America has made me an immigrant in New Jersey and someone who dearly misses his home country.

What is the curatorial narrative of the exhibition as far as you can see and read?
    -From what I can tell, the narrative of the exhibition revolves around connecting with what makes us human from different angles. Nostalgia, political experiences and our base senses all serve to make us what we are today, and each different way of communicating with our "souls" comes from a piece of each artist's life.

Who are the artists in the exhibition?
    -Jin Jung, Katelyn Halpern, Tina Maneca, Jaz Graf, Jennifer Roberts, Laia Cabrera, Isabelle Duverger, Pat Lay, Cheryl Riley and Nicole DeMaio are the artists of the exhibition. A painting by Ward Mount was used in Tina Maneca's installation.

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