My Intervention for Military Sexual Assault
Inspired by all the readings and the works we have seen in class, I wanted to turn my focus to something I am very passionate about. It is something that is violently swept under the rug. That is women dealing with military sexual assault and violence. A lot of times, people believe that post-traumatic stress disorder is limited to war trauma. What others don’t see in movies or in the media are the different types of attacks that occur. In the fiscal year 2024, the military reported a total of 8,195 sexual assaults.
I was able to find two interventions. The first is an art exhibit on sexual assault in 2018 titled “What Were You Wearing?” The exhibition used clothing survivors wore when they were assaulted and pinned up on the wall to answer questions that are often asked of survivors. One set of clothing on display was an army uniform.
What inspired this whole thing for me is a soldier who was murdered on duty, Lavena Lyn Johnson. Her death exposes how the military is racist and violent toward women, and how far the military would go to keep secrets. If you would like to learn more, I have provided a link, but proceed with caution when it comes to the details of her death, Lavena Johnson. I created a stencil of a woman with a hand around her neck. She is still maintaining her “military bearing” while this is happening. With that, I chose to title this piece "Bearing" because to bear something means to endure, carry, or tolerate. It can also mean to bear witness, which means to acknowledge the truth. Oftentimes, survivors have their truth manipulated by violators or outsiders and are called liars. So, this title is to reflect the ongoing weight that survivors have to carry.
I wanted to do Graffiti art as an intervention because it disrupts a controlled space and can exist on walls and sidewalks. Power controls space, but graffiti reclaims it. The military is about power and control, and it uses that power to protect the privileged. Graffiti is forced to be witnessed once it is encountered. It is fast, low-cost, and replicable. I chose this form of art because I want my work to exist in the streets and be displayed in different locations. After all, this isn’t an isolated issue. It affects countless women and men. By repeating the work in public spaces, it mirrors the scale of the problem, making it almost impossible to ignore.



No comments:
Post a Comment